Showing posts with label essay. Show all posts
Showing posts with label essay. Show all posts

Thursday, August 4, 2011

The 3 AM Call: An EMT's-Eye View

All---

Some volunteer EMT's don't mind being woken by a page in the middle of the night.  Some can't stand it.  No one goes to bed and thinks, "I sure I hope get woken up."  But it happens.  A lot.

You go to bed and some nights you think, "Uh, I really hope I can just sleep through this night."  Some nights you think, "Well, I'd love to get a run tonight, and I feel pretty good, so it'd be alright to get toned out tonight."  Until you've been doing it a while and start to get jaded, you feel a little guilty about it even being a question.  After all, if you're needed, you're needed.  You volunteered.  It seems petty to even think about complaining.

Photo by Brad and Sabrina
But sleep.  Sleep is good.  And when you have a job, and you're tired, and you have to go to work the next day, too -- sleep is very, very good.

When it happens --

When the pager goes off --

When you're rattled abruptly out of your sleep cycle by the sharp, piercing, rapid-fire beeps, you don't know  what's going on.  You look at your alarm clock first.  The numbers don't register, but you get the sense it's still late.  Early.  Whichever.  Not the time to wake up.

Suddenly your mind half-tunes in the words, already in progress, "Attention Medic Unit, Attention Medic Unit.  Respond  to 303 E Raymond Street, Apartment B."  She speaks in a droning monotone, unnatural pauses forcing her words into rhythm that feels even more awkward as you rise from the dead of sleep.  "For a patient with breathing difficulties."

You remember then what the noise is, why it's waking you, what you're supposed to do.  You remember you're an EMT.  It's your job to help that person.

"This is a Lifeline call."

You rise swiftly.

"Be advised that an officer is en route."

Perhaps you sleep naked and need to pull on your clothes.  Perhaps you sleep fully dressed, head to toe.  If you're like me, you sleep in the shirt, pants, and socks, but not the rest.  You move out to the living room, stopping yourself from turning on the lights because your wife is still asleep.

You slip your feet into your shoes.

You think about tying them, but then you remember that takes too much time.

You pull a hat on.

Grab your watch.

Pat your pockets to make sure you're wearing the pants with your medical tools in them.

Suddenly, you feel slow, and you hurry up and finish.  On the way to the station, your mind starting to clear as soon as you back the car out onto the road, you start thinking about how to prepare.  Maybe you remind yourself of some of the acronyms and mnemonics.  Maybe you think about the last breathing difficulty patient you had.  Maybe you remember the last time you went to 303 E Raymond Street, Apartment B.

By the time the second tones go off, two minutes after the first, you're afraid you're running late, even though it's only been two clock minutes since the first tones went off.  It's not two minutes.  It's when the minute hand is two minutes further along than it was.  From 3:26:58 to 3:28:00 is two minutes.

But in the dark of 3:30am, even as you shake your dreams off and focus on the real world, you still worry about it.

A minute later, you're in the ambulance and on the way.

After the run, after the patient has been transported.  After the patient has been delivered to the hospital with an open airway, and as good a vital set as possible.  After care of the patient has been handed over to the emergency room nursing staff,  and the paperwork has been filled out, and the truck has been cleaned up, and  your driver has finished off his cigarette, you hop in and ride home, unwinding, along the way.  The longer the ride home, the better off you are, the looser the grip of adrenaline on your wakefulness.  That's when you can go home, crash, and go to sleep.

But you don't always get a full run.  You don't always get to see a patient through.  You don't always get that long wind-down.  Sometimes.  Many times.  For stretches, most times.  You get a signal 9, a disregard.  Woken up and possibly amped, you hear her voice again.  Her droning monotone.  The awkward rhythm.

"Attention Medic Unit, Attention Medic Unit.  Per County.   You can.  Disregard."

"Medic Unit clear."

And then it's back home.  A short ride.  You never got to use the adrenaline that was required to wake you up from the depths of your sleep.  You never get a chance to wind down and let the adrenaline ease off.  As quick as you made it to the station, you're back.  And then you're home.  Wide awake.  It's 3:40 in the morning.  You know you're tired.  You know you want to sleep.

You know it's going to be a while.

And you think, "Well, at this point, we might as well get another run."

.Nevets.

Tuesday, July 26, 2011

Northern Michigan

For B. E. Sanderson, by request...


The stretch between Angola, Indiana and Coldwater, Michigan is bit of no-man's land.  No longer quite Indiana, not quite yet Michigan.  Maybe the state police cars or lottery tickets look different on one side or the other.  Maybe the license plate ratio shifts a little one direction on one side.  But mostly, it's flat, open farm land filled with flat, open folks, under a flat, open sky that's usually dull grey or a muted, cottony blue.

As you head north toward and around Lansing, though, you start to see a sort of post-industrial flailing you don't see much in Indiana.  When the factories closed and the jobs left in Indiana, the towns either scrambled for a new identity or just gave up and let themselves die.  In Michigan, those same kind of towns shake their fists at heaven and say, "By God, it's factory jobs or we die trying!"

North of Lansing the apple orchards and cider mills ushers you toward Ithica and Claire.  The further north you go, the more beer and home-made jerky you say at gas stations.  The more apple cider -- cherry pie -- homemade ice cream shops you pass, so many you wonder how they can all stay open year, after year, after year.  And they do.

Before, long, rolling orchards turn into denser woods, thick with pine trees and birch and a feisty undergrowth of fern and maple.  The pine tower over the others, though, and the undergrowth only find maturity when their elders pass along.  The bright green fern and maples seem to know this, for they grow with wild exuberance, not as if to say, "Hey, let me see how tall I can get!" but instead to say, "Hey, let me just get the most of the year I have."

Towns like Grayling, Frederic, and Mancelona aren't post-industrial.  Maybe post-logging.  Maybe pre-tourism.  Maybe just small towns that were always going to be small towns.  They have bars, but most of those close early.  Same with the gas stations, some of which also sell savory pastries called pasties.  They have friendly, small town people who might wish for better economic times, but not so they can move out of their small town homes -- so they can fix up their canoes, their snowmobiles, their campers.  So they can get as much enjoyment out of the land where they live as the summer residents do.  But economic times are bad.  Their canoes are rusted, their snowmobiles jammed up, and their campers leak.  And the friendly small town, folks, smile and nod as the summer residents come through to gas up their cars, motorboats, and jet skis.

The cottage is a summer residence.


They call it a cottage, not because it's small and quaint, but because it is a retreat from the world.  No cellphones.  No internet.  No cellphone-based internet.  There's a phone with a number almost no one knows, and a mailing address that gets no mail, but one year did get a census form.  There are neighbors, and sometimes you hear their power tools or their grand kids through the thick wall of woods that surrounds the cottage, but if you see them it's only on the open road between retreats, or because you want to.

The cottage is steeped in evolving traditions, the active memory-making of four generations.  The generation that built the cottage has passed, but their spirit has saturated every bit of wood, stained glass, and well-loved furniture in the place.  Gramma's place has been taken over by a parliament of ceramic owls.   Grampa's place been filled by an array of photographs representing the evolving and changing family over the years.  It's not the same, but it's enough to remind the rest of us to tell the fourth generation about those they will never really know.

I'm part of the third generation, by marriage.

And this is the northern Michigan I have been very privileged to know over the past ten years.

.Nevets.

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